Neo-Impressionism and Anarchism in Fin-de-Siecle France

Examines the relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. This title focuses on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism and to a belief in the social potential of art was strongest.