
Lygia Clark
The Abandonment of Art, 1948-1988
2014 m.
Kietas viršelis
Kuvaus
Having trained with modern masters from the late 1940s to mid-1950s, Lygia Clark was at the forefront of Constructivist and Neo-Concretist movements in Brazil. This title examines Clarks output from her early abstract compositions to the biological architectures and relational objects she created late in her career.
